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Harmonica Mic / Case / Belt Pac- Pack includes a Hohner 1490 Blues Blaster harp mic with mic cable, Hohner harmonica belt, and Musician's Friend harp case. The high-impedance hand-held mic with volume control produces that dirty Chicago blues harp tone. The harmonica belt provides quick, easy access to harps and helps organize different keys during performance. Made of strong vinyl with 6 stretch pockets, a cushioned back and a side quick-release buckle. Fits waists from 29" to 48". |
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Hohner Blues Blaster Harmonica Microphone- This is one of the standards and favorites of blues harmonica players (especially Chicago Blues stylists). Unlike some of the other microphones available for harmonica players, this mic comes complete with a volume control for better on stage volume control. Please note that the high-impedance cable to plug this mic directly into your amp must be purchased separately. |
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Shure 520DX Green Bullet Mic- Another one of the standards and favorites of blues harmonica players (especially Chicago Blues stylists). High impedance, volume control, built-in mic cord (supplied with 1/4" phone plug connector to use with any standard amplifier. |
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Hohner Hoodoo Hand Harmonica Wireless Microphone System- The Hoodoo Hand system allows you to use your natural hand cupping and playing techniques while eliminating the need to deal with bulky bullet-style wired microphones that have traditionally been the primary choice for live performance among blues harp players. The mic nestles in a clip with two finger holes that slip over your middle and ring fingers. Hohner includes two clips with different finger hole diameters to fit a wide range of finger sizes. Without a bulky mic occupying most of the cavity formed by your cupped hands, an acoustic space is created for producing a wide range of effects like flutters and tremolos. And because it's easy to create a tight seal between your hands and mouth, your sound has all the punch and dynamics you could hope for. |
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Shaker Crystal Hand Made Harmonica Microphone 1/4" Jack- "This tiny, handbuilt mic mimics the sound of traditional, bulky crystal mics beloved by harp players. Its diminutive size lets you easily cup the mic and it reproduces wah-wah effects beautifully. The handy detented volume knob lets you roam free from your amp control panel or independently set your own level when playing through a PA. The Crystal Shaker is also very feedback-proof so you can get loud without painful squeals. Equipped with a 1/4" jack." |
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Nady VHM-7 Bushman Torpedo Vocal/Harmonica Microphone- "The VHM-7's cardioid pattern, dynamic cartridge produces the thick, fat tone needed for cupped use with a harmonica as well as extremely smooth, clean vocals. The VHM-7 allows singing harp players the convenience of playing and singing through the same mic without sacrificing sound quality. The chromed aerospace metal casing not only looks retro-cool, it's bullet-proof tough and comfortable to hold. Fluted design allows shaping of wah-wah sounds and altering tone while virtually eliminating feedback. Engraved model number and supplied chromed mic clip complement the mic perfectly." |
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Audix Fireball-V Harmonica Microphone- "Well-suited for both chromatic and diatonic harmonicas, The FireBall-V is a dynamic microphone with sleek styling and a unique design. It features a dent-resistant ball grill with a deep red internal pop filter and is contoured to fit comfortably within the palm of the hand. A full-sized dynamic capsule featuring VLM (Very Lo Mass) technology provides big, full-bodied sound that is very clean and accurate. The FireBall is resistant to feedback and is capable of handling sound pressure levels in excess of 140dB without distortion. Made to be cupped, it will operate as if in an open-air environment even under the most demanding conditions. A smooth and uniform frequency response of 50Hz-16kHz and a cardioid polar pattern allow it to focus on the particular instrument being miked without picking up other instruments or ambient noise." |
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Audix FireBall Harmonica Microphone- "Well-suited for both chromatic and diatonic harmonicas, The FireBall is a dynamic microphone with sleek styling and a unique design. It features a dent-resistant ball grill with a deep red internal pop filter and is contoured to fit comfortably within the palm of the hand. A full-sized dynamic capsule featuring VLM (Very Lo Mass) technology provides big, full-bodied sound that is very clean and accurate. The FireBall is resistant to feedback and is capable of handling sound pressure levels in excess of 140dB without distortion. Made to be cupped, it will operate as if in an open-air environment even under the most demanding conditions. A smooth and uniform frequency response of 50Hz-16kHz and a cardioid polar pattern allow it to focus on the particular instrument being miked without picking up other instruments or ambient noise." |
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Shure SM58s w/on-off switch- "The undisputed world standard for stage microphones. Legendary for its uncanny ability to
withstand abuse that would destroy any other mic. World-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound." Our thoughts: A great low-impedance vocal mic that will also give you a "clean" harmonica sound on stage when going directly into the PA system. The on-off switch allows you to instantly cut off feedback. Mic cable may not be included. |
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Shure SM57- "The classic SM57 is the "workhorse" microphone of stages and studios world-wide. Its carefully contoured frequency response means clean, well defined instrumental reproduction and rich, warm vocal pickup on lecterns or stages. The standard for drum, percussion and instrument amplifier miking. Cardioid (unidirectional) dynamic." Our thoughts: A great low-impedance vocal mic that will also give you a "clean" harmonica sound on stage when going directly into the PA system. This microphone is virtually the same as the SM-58 above except that it is a 'straight' mic. Some players find a 'ball' mic easier to hold onto, some players prefer the 'straight' mic -- purely personaly preference. This is the most common microphone used for 'miking' harmonica amps. |
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Shure SM11 Lavalier Microphone- "The Shure Model SM11 is a miniature dynamic lavalier microphone designed for use in television broadcasting (on camera), for sound reinforcement, in certain radio and motion picture applications, and similar uses where a small, professional-quality, microphone is required. Two mounting options: tie clasp or tie tack." |
