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Mics & Amps- Mics (microphones) and amps (amplifiers) are what harmonica players use to be heard when playing with other amplified musicians. Mic and amp setups are also responsible for creating a more distorted and saxaphone-like sound a la the "Chicago Blues" sound. Mics are a very personal choice and will function and sound different depending on what kind of amp you use with it. |
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Blues Blaster Harmonica Mic w/ Cable Package- This is one of the standards and favorites of blues harmonica players (especially Chicago Blues stylists). Unlike some of the other microphones available for harmonica players, this mic comes complete with a volume control for better on stage volume control. This mic/cable package includes a Rapco XLR to 1/4" 20 ft. high-impedance mic cable for plenty of length to plug directly into your harmonica amp, guitar amp or PA system. |
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Hohner Hoodoo Hand Harmonica Wireless Microphone System- The Hoodoo Hand system allows you to use your natural hand cupping and playing techniques while eliminating the need to deal with bulky bullet-style wired microphones that have traditionally been the primary choice for live performance among blues harp players. The mic nestles in a clip with two finger holes that slip over your middle and ring fingers. Hohner includes two clips with different finger hole diameters to fit a wide range of finger sizes. Without a bulky mic occupying most of the cavity formed by your cupped hands, an acoustic space is created for producing a wide range of effects like flutters and tremolos. And because it's easy to create a tight seal between your hands and mouth, your sound has all the punch and dynamics you could hope for. |
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Shaker Madcat Harmonica Mic- The Madcat is a miniature, handmade mic made expressly for the harp player. It cups easily in the hand letting you produce very natural wah-wah sounds while putting the lid on the harp player's biggest enemy--feedback. It's equipped with a volume knob, short 1/4" cable, and comes with an extender jack for connecting a longer instrument cable. This is a great alternative to bulkier, heavier bullet-style mics which doesn't compromise on the filthy tone blues players demand. |
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Shaker Mad Dog Harmonica Microphone- A second generation Madcat microphone for those who love the ease of using the Madcat, but want a BIGGER bottom end. What does it sound like? The tone is very "Butterfieldish".
Definitely unique. Same ergonomic shape as the Madcat, but with a bigger bottom pod. Very technique sensative due to its large diameter dynamic element. This mic has a big
bite! |
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Shaker WSB Harmonica Microphone- The WSB has been designed to be the most affordable, crystal microphone voiced specifically for harmonica that Shaker has ever made. It is a darn good blues tool, hard wired with a 10 foot cable and 1/4" plug. It's a great beginner or back up mic that's easy on the wallet, yet
gives professional performance and awesome tone, along with great feedback rejection. How did we get the cost this low? Well first, there's no volume control, but who needs it, you have one of those on your amp, right? |
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Shaker Retro Rocket Harmonica Microphone- The Retro-Rocket is Shaker's newest addition to their line of harp mics. As its name suggests, this mic has a look reminiscent of the older stylized bullet mics. The Rocket is smaller than the older bullets, making
it easier to cup in the hands while playing. A volume control is located on the rear of the mic for convenience. Features: Aluminum-Zinc Alloy Cast Body, Pewter Cast Grill, Crystal Mic Element, Hand-made in the USA, Switchcraft Screw-On to Female 1/4" Adapter Included. Like a lot of the vintage bullet mics, the Rocket requires the old style Switchcraft screw-on connector.
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Nady VHM-7 Bushman Torpedo Vocal/Harmonica Microphone- The VHM-7's cardioid pattern, dynamic cartridge produces the thick, fat tone needed for cupped use with a harmonica as well as extremely smooth, clean vocals. The VHM-7 allows singing harp players the convenience of playing and singing through the same mic without sacrificing sound quality. The chromed aerospace metal casing not only looks retro-cool, it's bullet-proof tough and comfortable to hold. Fluted design allows shaping of wah-wah sounds and altering tone while virtually eliminating feedback. Engraved model number and supplied chromed mic clip complement the mic perfectly. |
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Shaker Dynamic Handmade Harmonica Mic 1/4" Jack- "This tiny, handmade dynamic mic is designed for the harp player seeking huge, fat tone without the bulk and feedback of traditional mics. It cups easily in your hand so that you can produce cool acoustic effects normally limited to players who use a mic on a stand. The built-in, detented volume knob cuts you free from your amp's volume control and the feedback-resistant design lets you get as loud and nasty as you want. Equipped with a 1/4" guitar jack." |
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Shaker Crystal Hand Made Harmonica Microphone 1/4" Jack- "This tiny, handbuilt mic mimics the sound of traditional, bulky crystal mics beloved by harp players. Its diminutive size lets you easily cup the mic and it reproduces wah-wah effects beautifully. The handy detented volume knob lets you roam free from your amp control panel or independently set your own level when playing through a PA. The Crystal Shaker is also very feedback-proof so you can get loud without painful squeals. Equipped with a 1/4" jack." |
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Shaker SCXLR Crystal Element Harmonica Microphone- This tiny, handbuilt mic mimics the sound of traditional, bulky crystal mics beloved by harp players. Its diminutive size lets you easily cup the mic and it reproduces wah-wah
effects beautifully. The handy detented volume knob lets you roam free from your amp control panel or independently set your own level when playing through a PA. The Crystal Shaker is also very feedback-proof so you can get loud without painful squeals. Equipped with an XLR jack. |
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SM58 Clone SHS Microphone with on/off switch, mic cable- This is about the best value you can find in a quality dynamic vocal mic. Obviously built as a Shure SM58 clone, this mic not only looks like your favorite performance model, but has the audio quality to go with it. Our thoughts: A great low-impedance vocal mic that will also give you a "clean" harmonica sound on stage when going directly into the PA system. The on-off switch allows you to instantly cut off feedback. Includes 20 Foot Lo-Z Cable. |
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SM57 Clone SHS Microphone (with mic cable)- This is about the best value you can find in a quality dynamic vocal/instrument mic. Obviously built as a Shure SM57 clone, this mic not only looks like your favorite performance model, but has the audio quality to go with it. We are now using these in our touring system, with great results! A great choice for drummers and guitarists. Our thoughts: A great low-impedance vocal mic that will also give you a "clean" harmonica sound on stage when going directly into the PA system. This microphone is virtually the same as the SM-58 above except that it is a "straight" mic. Some players find a 'ball' mic easier to hold onto, some players prefer the 'straight' mic -- purely personal preference. This is the most common microphone used for "miking" harmonica and guitar amps. Includes 20 Foot Lo-Z Cable. |
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